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Button 007-A: United Cartoon Workers of America: Local 1, San Francisco
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Price: $8.00
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7-A. United Cartoon Workers of America:
Local 1, San Francisco (1973).
Designed by Peter Poplaski and Denis
Kitchen. The formation of an actual labor union of underground
cartoonists was in the air in the early '70s. West coast cartoonists
like Spain Rodriguez and Robert Crumb attended
meetings of the venerable but tiny International Workers of the
World (I.W.W.) in San Francisco. Some artists thought a union
would help them get better deals with publishers. The affiliation
with the old left "Wobblies" never went anywhere but
the idea of artist solidarity had wide appeal. Kitchen
was the publisher and owner of Krupp/Kitchen Sink, but he was
also a cartoonist and at that time a card-carrying socialist.
The latter considerations outweighed the first, so he created
buttons as the first visible symbol of solidarity.
Some artists (like Crumb) put U.C.W.A.
symbols on their comix covers. There were only two significant
clusters of underground cartoonists at this time. San Francisco,
where undergrounds originated and flourished, was designated
Local No. 1 and Milwaukee, then home to Krupp/Kitchen Sink and
half a dozen or so underground cartoonists, became Local No.
2 (see button #2-A). The number "7" for the button
series appears in white just above "America." Diameter
2.25 inches. Other U.C.W.A. locals were added later (see buttons
#67, 136, 137, 138, 139, 140, 141 and 157). $8.00
One note, for serious button collectors,
you may want to read the KSP BUTTON
TEXT which explains the numbering
systems for identifying the various buttons produced over the
last 30 years, or see the COMPLETE
KSP BUTTON LIST. The list is
VERY long, so be patient while it loads.
|
<< Previous Product
Next Product >>
Button 007-A: United Cartoon Workers of America: Local 1, San Francisco
7-A. United Cartoon Workers of America:
Local 1, San Francisco (1973).
Designed by Peter Poplaski and Denis
Kitchen. The formation of an actual labor union of underground
cartoonists was in the air in the early '70s. West coast cartoonists
like Spain Rodriguez and Robert Crumb attended
meetings of the venerable but tiny International Workers of the
World (I.W.W.) in San Francisco. Some artists thought a union
would help them get better deals with publishers. The affiliation
with the old left "Wobblies" never went anywhere but
the idea of artist solidarity had wide appeal. Kitchen
was the publisher and owner of Krupp/Kitchen Sink, but he was
also a cartoonist and at that time a card-carrying socialist.
The latter considerations outweighed the first, so he created
buttons as the first visible symbol of solidarity.
Some artists (like Crumb) put U.C.W.A.
symbols on their comix covers. There were only two significant
clusters of underground cartoonists at this time. San Francisco,
where undergrounds originated and flourished, was designated
Local No. 1 and Milwaukee, then home to Krupp/Kitchen Sink and
half a dozen or so underground cartoonists, became Local No.
2 (see button #2-A). The number "7" for the button
series appears in white just above "America." Diameter
2.25 inches. Other U.C.W.A. locals were added later (see buttons
#67, 136, 137, 138, 139, 140, 141 and 157). $8.00
One note, for serious button collectors,
you may want to read the KSP BUTTON
TEXT which explains the numbering
systems for identifying the various buttons produced over the
last 30 years, or see the COMPLETE
KSP BUTTON LIST. The list is
VERY long, so be patient while it loads.
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$8.00
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